“I don’t mean the artist as a wheeler-dealer. “Harmony’s ambitious in unexpected ways,” says Gagosian, who gave him a show in his uptown Manhattan gallery last year and one in Beverly Hills shortly thereafter. In some circles, he’s best known for his association with Larry Clark, but lately he’s become known for his association with another Larry- Gagosian, his dealer since 2014. Korine himself is notoriously tricky to pin down. “I get nervous any time something starts to become definable.” » “I don’t want anything to get too big too fast,” Korine says, noting he will probably receive visitors by appointment. “He quickly drew a penis in my mouth.” On this day, sprawled around the factory are paintings by the likes of Julian Schnabel, Jeff Elrod, Joe Bradley, and Rita Ackermann. “Martin made a drawing of my face and handed it to me, and I jokingly said I was disappointed because there was nothing offensive about it,” Korine recalls. Korine began collecting in 1993 after a boozy walk in Manhattan with the late German artist Martin Kippenberger. To start, Korine and his wife, Rachel, an actress, will invite the public into the space in February to view their contemporary art collection. But he’s scaled back that ambition for now, seeing it function more as a bridge between his punk past and his latest adventures in the art and film worlds, with skate crews hanging with artists and hip-hop stars like A$AP Rocky. “It’s like this all day: people staring in,” Korine says as he skates by the entrance ramp, smoke rings curling over the bill of his Miami Dolphins cap.Īt first, he had envisioned the warehouse as a kind of experimental contemporary art space and residency center where his friends-“high-level motherfuckers,” he calls them-could stay and create work. At the moment, a curious couple is peeking through the glass front door. When Korine-who directed the 2012 coed crime drama Spring Breakers and wrote the screenplay for Kids, Larry Clark’s 1995 breakthrough film about the debauched lives of New York teenagers-recently snapped up the properties, his fans and local creatives were abuzz with speculation. As it happens, Korine, 42, owns the building-once home to the Bill Voorhees air-conditioning company-and several others surrounding it in this up-and-coming section of town. It’s a steamy August afternoon and Harmony Korine is sucking on the stub of a cigar while skateboarding figure eights around giant cement pillars in a cavernous factory in downtown Nashville.
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